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ZOOM:
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YOUTUBE: Centro de Experimentação e Informação de Arte
Brazil Time
10/26 Tuesday
6pm - Wellington Jr. (Tutunho), João Vilnei e Felipe Mota Ferreira - Ceará, Brazil
Aureoleds 3.0
Summary:
Aureoleds is a ritualistic performance in which Tutunho - the thaumaturge, performs low-tech cures and prophesies the imminent apocalypse and the never-coming-will come armageddon. Tutunho's voice is miraculous and his halo is the symptom of this strength. Now Tutunho needs to make disciples, because the world is asking for healing. Be a saint too! Have your own halo. On October 26th at 6pm, view @tutunhoofficial's Instagram story, use the Aureoleds 3.0 filter, put on your halo and let the sky light shine!
Access: Instagram - @tutunhoofficial e @ceiaartbrasil
8pm - Noemi Assumpção - Minas Gerais, Brazil
Brazilian anguish
Summary:
Swallow the cry, gnaw to the bone, burp caviar and laugh so you won´t cry. That's what we have for today.
Performed live at BDMG Cultural Gallery and broadcast in the zoom room
Access: ZOOM Platform
10/27 Wednesday
10am - Video Performance Exhibit
Previously recorded videos
Summary:
The MIP4 video performance exhibition brings together works by artists from Brazil, France, Finland and the United States and it presents a small excerpt of the creative power of performance immortalized in video recording.
Artists:
Access: CEIA website
7pm - Performance etc. and such
Summary:
Chats about forwarding of practices and knowledge about experience and performance art in the context of learning and creation in the arts.
Mediation: Marco Paulo Rolla and Wilson de Avelar
Access: ZOOM Platform
10/28 Thursday
8pm - Jonata Vieira - Minas Gerais, Brazzil
Transimage
Sumary:
The European standard of beauty, so valued in Brazil, is a very striking feature of the veiled racism we live in today. There is an absurd distortion in regards to physical characteristics, if these are not typically European they are considered inferior. Any black phenotype is treated almost as a defect and not as a trait inherent in the nature of black people; hair, for example, must be straight and light, because dark and frizzy hair is a mistake, hence terms such as "bad hair" ” are so present in our popular vocabulary. Creams for skin whitening and hair straightening, widely spread in the Brazilian territory, were part of a racist process of establishing concepts of beauty molded in the idea of universal beauty standards and white superiority.
Performed live at Museu Mineiro and broadcast via zoom platform
Access: ZOOM Platform
10/29 Friday
7pm - Tero Nauha - Finlândia
Traje Performativo
(Performer: Marco Paulo Rolla)
Summary:
The performance deals with the lack of material and meetings that we all need to live. We also wear and play with materials, and we need them not to cover our bodies, but to enhance them and we need the feel of these materials, also.
Performed live at BDMG Cultural Gallery and broadcast in the zoom room
Access: ZOOM Platform
8pm - Efe Godoy - Minas Gerais, Brazil
Everything that is alive changes - ritual for calm
Summary:
Efe found a field of camomile while walking and discovered the natural chamomile healing and calming function. Flower that fights insomnia. This action is also a ritual for calm, a reminder for the rushing time. A comfortable place to remind that dreams exist.
Performed live at BDMG Cultural Gallery and broadcast in the zoom room
Access: ZOOM Platform
10/30 Saturday
6pm - Reza Afisina - Indonesia
Measure the shape with an inadequate object and turn it into sufficient evidence.
Summary:
It is LIVE! online performance with arrangement of times and links provided.
Performed live from the artist's location
Access: ZOOM Platform
10/31 Sunday
3 pm - Rodrigo Antero - Minas Gerais, Brazil
ex-tint
Summary:
Anthology of an organic body: negro-black
Flooded, buried, supplanted by a white universe of plastics the black body wants to be free, decolonize and transpersonalize what is to come... Territory body in search of drifting, becoming... Performing memory: me-with-the-other/the-in-the-world? Relational blackness experience (alterity): Environment: Earth: Water: Air: Rooting: So...Body-Tree. (rodrigos anteros)
Performed live from Museu Mineiro and broadcast in the zoom room
Access: ZOOM Platform
4 pm - Christina Fornaciari - Minas Gerais, Brazil
Aguarras
Summary:
Performance that uses the jet of water as a state device of choreopolitics (containment of the body in the city), in an attempt to materialize opposing movements, of resistance, of affirming the freedom of the body, of thought and expression. The water jet of the water truck, commonly launched by the State to dissolve undesirable groups, here comes across a "Forbidden Way" sign. Don't retreat. Don't give in. Don´t give up. The body advances, exists and insists, resists. The use of pressurized water also alludes to Operation Lava-jato and its setbacks, blows and loss of rights that this political maneuver has generated, as well as the forms of resistance mobilized in this scenario.
Performed live from the Museu Mineiro and broadcast in the zoom room
Access: ZOOM Platform
11/01- Monday
5pm Workshop participants
Summary: Presentation of workshop works
Access: Ceia website
7pm - Roundtable: mediation of performance in Brazil
Summary: Marco Paulo Rolla, Fernando Riberio, Lucio Agra and Bia Medeiros talk about the challenges of performance mediation in Brazil
Participants: Lucio Agra (São Paulo - Brazil), Bia Medeiros (Rio de Janeiro - Brazil), Fernando Ribeiro (Parana - Brazil) and Marco Paulo Rolla (Minas Gerais - Brazil)
Access: ZOOM Platform
11/02 - Tuesday
7pm - Tiago Sant'Ana - Bahia, Brazil
Map
Summary:
One woman weaves braids in the hair of another, building paths and clearings in her head, bringing to light memories that touch the history of Brazil and its intersection with racial issues.
Previously recorded
Access: Ceia YouTube
8pm - Marco Paulo Rolla - Minas Gerais, Brazil
Vacuum
Summary:
Facing a life full of tasks and moments directed by our vital needs, we find moments of silence or waiting. Today, faced with our pandemic daily lives, this condition is inverted, we live in a vacuum and who knows, maybe we will find the moment to escape.
Performed live from Museu Mineiro and broadcast in zoom
Access: ZOOM Platform
11/04 Wednesday
8pm - Massuelen Cristina - Minas Gerais, Brazil
The night doesn´t fall asleep in women's eyes
Summary:
Massuelen Cristina, a visual multi-artist, will investigate in this performance ' The night doesn´t fall asleep in women's eyes ' the processes of 'Sewing Wounds', a healing ritual of traditional communities' healers and root-healers, consisting of sewing and a lucky charm, surrounding an injury or pathology of an injured person.
Performed live from Museu Mineiro and broadcast in the zoom room
Access: ZOOM Platform
11/04 Thursday
2pm - Eliane Brazil - Paraná, Brazil
Third skin
Summary:
In such disturbing times, when the world suddenly becomes chaotic facing the fear of the invisible but real, where social distancing is a premise for the body's survival, the action discusses the coexistence of multiple bodies affected by absences. Based on the possible ties and links in textile handicrafts, it makes use of fabrics as conducting threads in search of affection for any human isolation condition, given to the present moment or not.
Performed live from the artist's location
Access: ZOOM Platform
8pm - Ana Gabi - Minas Gerais, Brazil
Queer Drama
Summary:
Is it a boy or a girl? Is it a boy or a girl? It's a boy. It's a girl. It's not a boy. It's not a girl. They want an identity from me. And I can be Jesus, Mary and Joseph. It's pussy, fuck!! Is it pussy? Is it a girl? It's pussydick! My organ is multi-species. It's open source. It is open to anyone who wants to eat it. Christian consumers insist on defining me. I am not a facebook. But I'm open to likes and shares. I am an algorithm. It's a boy. It's a girl. It's fluid. It's not binary-tupi-brazil-queer-guarani. It's genderless. It's a chemical toilet door. It's the end-of-the-world Dada urinal. It's a boy. With mustache and a producing breast. It produces milk. Breastfeeding. My sperm is red. It's menstruation. It's fluid. Is it a boy or a girl. It's what you want. It is what I want. It's body. It's like. Shared image. Save to desktop. In clouds. Forwarded in whatsapp groups. It's Instagram. Anthrotransphagic-cybernetic-robotic-quantum-astrological-ephemeral and futile revolution. Man-woman-trans-fag-queer-bi-israel-palestinian-cookie-snack-cheese-with-guava. I am not a girl. I'm not a boy. I'm not cis. I'm not trans. I am: an experiment. Try me out. Does anyone have the courage to embrace this body?
Performed live from Museu Mineiro and broadcast in the zoom room
Access: ZOOM Platform
11/05 Friday
8pm - Alison Crocetta - USA
Learning How to Sing (Songs of Love and Resistance)
Summary:
In her performance, Learning How to Sing (Songs of Love and Resistance), Alison Crocetta will attempt to bridge the chasm of translation as she sings a range of songs in Brazilian Portuguese and English. This performance celebrates our capacities to sing in a language that we cannot speak and communicate with people who do not understand our mother tongue. Crocetta’s use of mirrors, within this work, underscores the physical distance that is an inherent aspect of virtual performances during this global pandemic. Despite these remote circumstances, Learning How to Sing (Songs of Love and Resistance) recognizes that meaningful connections can still be made when people come together to witness and experience the actions and
soundings of another.
Performed live from the artist's location
Access: ZOOM Platform
11/06 Saturday
4 pm - Thaise Nardim - Tocantins, Brazil
Desert composition
Summary:
Smaller ores build the system's most robust foundations. Each building, each monument, each circuit - all bring together elements from other worlds loaded in their materials. Using the procedures of performance art, in the desert to pursue - and insist on pursuing - a geontological justice.
Performed live from the artist's location
Access: ZOOM Platform
6h30pm - Mette Sterre - Holanda
Back Off/Up! Full Stop, Back Drop & Roll (Stage 000X) Courteous Curtain Changes
Summary:
A room,
a performer, or two, or three,
or none
All of the above and beyond;
Cover up what was dressed down
adress … feel in the gap there
lease please
don’t leave any emotional luggage unattended
If so, Your personal longings will be destroyed
Mind the Crap
If you are vulnerable, the audience is able to fall in love with you under false pretences***
Get some rest from the tests
Swipe left swipe right
All right said Fred
All night long said the Night Stalker
Magic the gathering
Type x wave files
***Mette Sterre has a very dramatic take on farewells, saying goodbyes and experiences a general dreadfulness when things come to an end (always being the one who was up last at a slumber party). She will do everything in her power to try and stretch a good moment in time (hedonist/nihilist). She also has a fear of people or objects disappearing into a void. Through this newly developed performance, especially for this festival, she will explore the potential of directorial entrances and grateful exits, as a case study to explore how moments never end, but transform into new formats and how repetition doesn’t even exist really. Using sound, spoken word text and body masks and the digital realm of screen time as space to try and deal with this perpetuating issue and own it for what its worth. [p.s. According to Carl Sagan (R.I.P.) we are all a bunch of moving fluff any ways]
Performed live from the artist's location
Access: ZOOM Platform
11/07 Sunday
8pm Fernando Ribeiro - Paraná, Brasil
Realizada ao vivo da localidade do artista
Acesso: YouTube CEIA